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About the Artists
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A recipient of the prestigious Govt. of India Scholarship for
classical music, Sugandha Kalamegham’s early musical tutelage
was undertaken by eminent vidwans Sri. Kadayam Krishnamurthy and
Sri. Madhirimangalam Ramachandran in New Delhi. Simultaneously
she pursued formal training in Hindhusthani music as well at the
Gandharva Maha Vidhyalaya in Delhi. This formal understanding of
both genres of Indian classical music has enriched Sungandha’s
interpretation of the Carnatic idiom. After moving to Chennai,
Sugandha pursued advanced training under Vidwan Sri. T.K.Govinda
Rao and Sri. Sandhyavandanam Srinivasa Rao. Sugandha is an
A-top (the highest grade level) artiste of All India Radio and
has performed extensively on AIR and Doordarshan. She was a
member of the Cultural Committee of the 12th Planning Commision,
Government of India (2001-02), and she has been recently
appointed to the Senate of the Music Department of Annamalai
University in Chidambaram, Tamil Nadu. |
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Brought up in a musical environment, Raman Iyer has
shown a deep interest in music and Violin in particular
at a very early age. He began learning violin at the age
of six under the tutelage of Sri. Nedumangad Shivanandan
for nearly 10 years. Simultaneously he underwent vocal
training primarily from his parents, Smt. Valli and Sri.
Mahadeva Iyer. He underwent brief vocal training with
Sri. Ochira Balakrishnan as well. The turning point in his
musical career came when he was fortunate to have a
short stint with the violin virtuoso, Dr. L. Subramaniam
during the mid-nineties. This has immensely helped Raman
to refine his bowing and fingering techniques. With
strong foundation in violin technique and music in
general, Raman strives to create his own unique style
imbibing the best from great masters. He continues to
pursue his musical aesthetics and training and is
currently guided by Smt. Sreevidhya Chandramouli, the
great grand daughter of the Veena Maestro, Karaikudi
Subbarama Iyer.
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Lakshman is a
senior disciple of Sri T.R. Rajamani, son of the
legendary Palghat Mani Iyer. An uncompromising reverence
and adherence to the tradition set by Sri Palghat Mani
Iyer, has helped Lakshman blossom into one of the most
promising and articulate mridangam players of the
current generation, having imbued the authentic carnatic
tradition in both accompaniment and solo playing.
Lakshman has accompanied top musicians like Dr. L.
Subramaniam, Dr. T.R. Subramaniam and Prasanna. He is a
graded artist of All India Radio and has performed in
many venues in India, Europe and the United States.
Lakshman works for FedEx as a Senior System Architect in
Memphis teaches mridangam to students and continues to
accompany several top artists from the Indian classical
Carnatic world.
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Dr. Ravi
Balasubramanian is the most sought-after Ghatam artiste in North
America and is known for his energetic and sensitive
accompaniment and solos. Ravi has extensive experience in
Carnatic percussion, including performing on the Ghatam at top
musical institutions such as the Chennai Music Academy and the
Cleveland Aradhana for over fourteen years. He received the
title Yuva Kala Bharathi in 2003 from Bharat Kalachar, a music
organization in Chennai, for excellence and dedication in the
art of Ghatam. Ravi has had the rare honor and experience of
performing with leading artistes including Sangitha Kalanidhi
vocalists, violinists, flautists, and mridangists in India, USA,
Canada, Singapore, Malaysia, and Australia. Ravi received
his initial tutelage from Palghat Sri P. K. Sekar and Sangitha
Kalanidhi Dr. T. K. Murthy and later pursued advanced training
from Sri V. Suresh in Chennai, India. Ravi has given
lecture-demonstrations on the Ghatam in the University of
Pittsburgh, PA. He recently received his doctorate in Robotics
from Carnegie Mellon University and is a Research Associate in
the University of Washington. |
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